![]() ![]() ![]() Listening to this CD, we finally discover that theres not much separating rock and jazz, at least when dealing with factors like jamming, exploring sound and having a cosmic understanding of creative freedom. Putting it very simply: it wasnt necessary. ![]() The curious thing, in this collaboration, is that the guitarbass-drums power trio never goes out of their track to meet Brotzmann half way and their guest doesnt try any compromise to approach them. Blues, by Iggy Pop & The Stooges.īrotzmann had multiple experiences in the proximities of rock, from the group Last Exit, with Sonny Sharrock, Bill Laswell and Ronald Shannon Jackson, to Full Blast, in the company of Marino Pliakas and Michael Wertmuller, going through his partnerships with his son Caspar Brotzmann and with Fu susha, the band lead by Keiji Haino. Peter Brötzmann Steve Noble Keith Tippett. Genres: European Free Jazz, Free Jazz, Free Improvisation. The trio used to combine a saxophone to their music, usually choosing Rodrigo Amado, a first line figure of the jazz scene in Portugal, and also the late Steve Mackay, the tenor we hear on the pioneering (in what concerns this kind of mixtures) L.A. Peter Brötzmann discography and songs: Music profile for Peter Brötzmann, born 6 March 1941. Everything seemed to announce it Ion the paths of the Portuguese stoner rock band Black Bombaim and of the German saxophonist Peter Brotzmann. This is a meeting written in the psychedelic sky. (2016) Black Bombaim & Peter Brotzmann - Black Bombaim & Peter Brotzmann ![]()
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